Speech by the Hon’ble Foreign Minister at the inaugural of the “Iranian Women Filmmakers Session”, the

2nd International Film Festival Bangladesh

(National Museum, 2nd December 2004)

     


Mr. Chairman,

Ambassador Beheshti of Iran,

Excellencies,

Distinguished guests,

Ladies and Gentlemen,

   

I am indeed very happy to be here today to inaugurate this session on Iranian Women Filmmakers, the Focus Segment of the 2nd Film Festival of Bangladesh. This festival, which was inaugurated by the Hon’ble Prime Minister yesterday, is being organized by the Bangladesh Federation of Film Societies.  

 

 

Beautiful Iran was a centre of ancient civilization. It bore a treasuretrove of knowledge for the entire mankind. I have always had great respect and admiration for the rich and diverse cultural heritage of Iran. Therefore, it is all the more pleasant for me to be present on this auspicious occasion.  

 

Bangladesh and Iran are bound by fraternal ties and shared culture and heritage. It is natural therefore that in Bangladesh there would be an interest in Iranian films. But there is more than this affinity that has prompted the organizers to showcase Iranian women filmmakers in the Focus segment of the festival.

 

  Iranian films and filmmakers represent excellence in the global repertoire of contemporary cinema. Iran has produced filmmakers like Majid Majidi, Kheyarustumi, Mohsin Makhmalbaff and others who are today names recognized across the world. Beyond these world-class giants of Iranian film, there is also an increasing, and impressive list, of women filmmakers who are producing outstanding films. Their works constitute the focus of the 2nd International Film Festival being held in Bangladesh. The Iranian Embassy in Dhaka deserves congratulations for their assistance in organizing this segment.  

 

 

Ladies and gentlemen,  

     Dhaka has been the hub of diverse cultural activities, which are recognized not only in South Asia but also beyond. The institutionalization of this Festival, which the Federation launched last year, is now on its way to becoming part of the colourful cultural calendar of the city. Although the vibrant film industry that Dhaka boasted of in the 1950s, 1960s and 1970s, today has much to be desired, there has been a parallel trend that has produced quality films and filmmakers. Much of this independent parallel trend owes to the dedication of film society activists of Bangladesh. Over the last 3/4 decades, the film society movement has not only produced a growing pool of viewers of good films but also created a generation of talented young filmmakers, some of whom have already won international acclaim. It is only appropriate therefore that the apex body of film societies, Bangladesh Federation of Film Societies (BFFS), should take the initiative to bring to Bangladesh such an international event.

   

 

   During the Festival, the city of Dhaka, Narayanganj and the Divisional towns will be treated to a feast of films representing diverse cultures, genres and themes. This also brings together filmmakers, both old and new, in a conclave of cultures; and helps build bridges of               co-operation and amity between and among peoples. This is essentially what films are about and gives to cinema its inherent power to connect, and connect with an immediacy and intensity.

 

Ladies and Gentlemen,

       I congratulate the organizers on arranging a great show. The Ministry of Foreign Affairs is happy to have been associated with the Festival. We feel that an event of such scale and participation adds to our national prestige and enhances our image as an active and contributing member of the international community. I would like to assure that the Ministry of Foreign Affairs will continue to support such endeavours in future.

 

With these words, I declare this session open.  

 

I thank you, ladies and gentlemen.    

    * * * * * 

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